Breast Worship (Mazophilia)
 
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BREAST WORSHIP SITES
Breast Worship directory focuses on insanely gorgeous Goddesses with massive sweater kittens purring for the camera. If procrasturbating to the sight of Women with lovely lady lumps is your fetish (and who doesn't have a fetish for lovely lady lumps?)  Arousal from worshipping breasts is called mazophilia. The only known cure for mazophilia is to find a Woman blessed with a smaller pair of tits with sweet long and perky nipples, preferably longer than buttons on elevators. Approach Her bubbly beacons to the Milky Way with a grateful and eager tongue, lick sensuously until signs of mazophilia subside and you feel a pernicious rise in your Levis.
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Euphemisms for Breasts

Angel Cakes        Double-Whammies      Loaves              PT Boats
Apples             Dueling Banjos       Loblollies          Pumpkins
Balboas            Dugs                 Love Melons         Rangoons
Balloons           Dumplings            Love Muffins        Rib Balloons
Bangers            Dunes                Lulus               Rib Cushions
Bangles            Ear Muffs            Macaroons           Rivets
Bassoons           Eclairs              Mambos              Roundies
Baubles            Eggplants            Mammaries           Sandbags
Bazongas           Enchiladas           Mammies             Satellites
Bazookas           Flapjacks            Mams                Scones
Bazooms            Flappers             Mangos              Scoops
Beacons            Flesh Bulbs          Marangos            Set
Beanbags           Flesh Melons         Maraschinos         Shakers
Bebops             Floaters             Marimbas            Shebas
Betty Boops        Floats               Mau Maus            Shimmies
Big Boppers        Fog Lights           Mausers             Silos
Bikini Stuffers    Fried Eggs           Meatballs           Skin Sacks
Billibongs         Fun Bags             Meat Loaves         Skooners
Blinkers           Gagas                Melons              Smoothies
Bombers            Garbos               Milk Cans           Snuggle Pups
Bombshells         Gazingas             Milk Fountains      Spark Plugs
Bonbons            Gazongas             Milk Shakes         Specials
Bongos             Glands               Molehills           Spheres
Bonkers            Globelets            Mommas              Spongecakes
Boobers            Globes               Mondos              Spuds
Boobies            Gob Stoppers         Montezumas          Stacks
Boobs              Gongas               Moo Moos            Stuffing
Boops              Goombas              Mother Lodes        Sugarplums
Bops               Grapefruits          Mounds              Sweater Meat
Bosom              Grillwork            Mountain Peaks      Sweater Puffs
Boulders           Guavas               Muchachas           Sweet Rolls
Bouncers           Gum Drops            Muffins             Tahitis
Bra Buddies        Handsets             Mulligans           Tamales
Bra Stuffers       Hand Warmers         Mushmelons          Tartugas
Bronskis           Headers              Nancies             Tatas
Bubbas             Headlamps            Nectarines          Tattlers
Bubbies            Headlights           Niblets             Teats
Buds               Headphones           Nibs                Tetons
Bulbs              Headsets             Nippeloons          Thangs
Bulges             Hefties              Nippelos            Thingamajigs
Bullets            Heifers              Nippers             Tidbits
Bumpers            Hemispheres          Nippies             Titbits
Bumps              Hills                Nips                Tits
Bust               Hindenburgs          Nodes               Titskis
Busters            Honeydews            Nodules             Titters
Busties            Honkers              Noogies             Titties
Butterballs        Hood Ornaments       Nose Cones          Tomatoes
Buttons            Hoohas               Oompas              Tooters
Caboodles          Hooters              Orbs                Torpedoes
Cannon Balls       Hot Cakes            Ottomans            Tortillas
Cantaloups         Hottentots           Padding             Totos
Carumbas           Howitzers            Pagodas             Twangers
Casabas            Hubcaps              Pair                Tweakers
Cha-Chas           Huffies              Palookas            Tweeters
Charlies           Humdingers           Papayas             Twin Peaks
Chihuahuas         Hush Puppies         Parabolas           Twofers
Chimichongas       ICBM's               Pastries            Tympanies
Chiquitas          Jawbreakers          Paw Patties         U-Boats
Coconuts           Jemimas              Peaches             Umlauts
Congas             Jibs                 Peakers             Wahwahs
Corkers            Jobbers              Peaks               Waldos
Creamers           Jugs                 Pears               Warheads
Cream Pies         Jukes                Pects               Water-Melons
Cuhuangas          Jumbos               Peepers             Whoppers
Cupcakes           Kabukis              Pillows             Wind-Jammers
Curves             Kalamazoos           Pips                Wobblers
Dingers            Kazongas             Plums               WOngas
Dinghies           Kazoos               Pointer-Sisters     Woofers
Dingos             Knobbers             Points              Yabbos
Dirigibles         Knockers             Pokers              Yams
Domes              Kongas               Polygons            Yayas
Doodads            Kumquats             Pompons             Zeppelins
Doozers            Lactoids             Pontoons            Zingers
Doozies            Lip Fodder           Potatoes

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MASTASIA
 
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BREAST WORSHIP COMMUNITY
The Breast Worshiper's Community is a great place to browse, post, comment on, and discuss all things related to the glory and majesty of Female breasts.

Commonly closely associated with male fixation with
T&A, Women's breasts have always made a powerful sexual and emotional impact on the consciousness of males and females alike. Discuss Your favorite breast encounters, or simply indulge your inner voyeurs. 
Submit Your Request to Join Femdom-Cafe's Breast Worship Community Here
Mazophilia

Breast fetishism (also known as mastofact, breast partialism, or mazophilia) is a paraphilia (atypically highly focused sexual interest) in female breasts.

The phrase "
breast fetishism" has also been used to refer to cultural attention to female breasts and the sexuality they represent. There is a widespread interest with women's breasts, and especially their size. For example, film producers such as Russ Meyer produced films which focused on the female lead's breast size. Lorna (1964) was the first of his films where the main female part was selected on the basis of her breast size. Author and director William Rotsler said of this film, "with Lorna Meyer established the formula that made him rich and famous, the formula of people filmed at top hate, top lust, top heavy."

Debate exists on whether the modern widespread sexual attraction to breasts among heterosexual males of western society constitutes a sexual fetish. In clinical literature of the 19th century, the focus on breasts was considered a form of paraphillia, but in modern times this interest is considered normal. Some have attributed the use of tight clothing and the display of cleavage to the increase in so-called breast fetishism. The phrase is also used within ethnographic and feminist contexts to describe a society with a culture devoted to breasts, usually as sexual objects


What Scientists Say

Some scientists have hypothesized that sexual attraction towards breasts is the result of their function as a secondary sex characteristic. For instance, British zoologist and ethologist Desmond Morris theorizes that cleavage is a sexual signal that imitates the image of the cleft between the buttocks,[6] which according to Morris in The Naked Ape is also unique to humans, other primates as a rule having much flatter buttocks.

Evolutionary psychologists theorize that humans' permanently enlarged breasts, in contrast to other primates' breasts, which only enlarge during ovulation, allows females to "solicit male attention and investment even when they are not really fertile".

The reverence and theorizing shown to breasts also appears in the science of modern civilization. Breast fetishism is claimed to be an example of a contagious thought (or meme) spreading throughout society,[8] and that breasts are features that have evolved to influence human sexuality rather than serve an exclusive maternal function.



Feminist Views

Some feminists have argued that examples of breast fetishism have been found going back to the neolithic era, with the goddess shrines of Catal Huyuk (in modern Turkey, also see Artemis). The archaeological excavations of the town in c. 1960 revealed that the walls of the shrine(s) were adorned with disembodied pairs of breasts that appeared to have "an existence of their own". Elizabeth Gould Davis argues that the breasts (along with phalluses) were revered by the women of Catal Huyuk as instruments of motherhood, but it was after what she describes as a patriarchal revolution – when men had appropriated both phallus worship and "the breast fetish" for themselves – that these organs "acquired the erotic significance with which they are now endowed".

Some authors from the United States have made the statement that attraction to the female breast is a sexual fetish, that it is the American fetish-object of choice, and that breast fetishism is predominantly found in the United States. Feminist film critic Molly Haskell has even gone to such an extreme as to claim that, "The mammary fixation is the most infantile, and the most American, of the sex fetishes".
                                                                                                                                                                                                                                 
source: wikipedia
Russ Meyer

Russell Albion "Russ" Meyer (March 21, 1922 – September 18, 2004) was a U.S. motion picture director, producer, screenwriter, cinematographer, editor, actor and photographer.

Meyer is known primarily for writing and directing a series of successful low-budget sexploitation films that featured campy humor, sly satire and large-breasted women.


Big breast fixation, or the Meyer physical archetype

Russ Meyer's lifelong unabashed fixation on large breasts featured prominently in all his films and is his best known character trait both as an artist and as a person. His discoveries include
Kitten Natividad, Erica Gavin, Lorna Maitland, Tura Satana, and Uschi Digard among many others (view them here). The majority of them were naturally large breasted and he occasionally cast women in their first trimesters of pregnancy as it enhanced their breast size even further.

Rarely were there cosmetically enhanced breasts in any of his films until Up! (1976) and Beneath the Valley of the Ultra-Vixens (1979). However, by the early 1980s, when surgical advancements had made the gargantuan breasts of Meyer's fantasies a reality, many felt he had started viewing the female body as simply a "tit transportation device" and that his aesthetic vision was no longer attractive or vibrant.
Darlene Gray, a natural 36H-22-33 from Great Britain, who appeared in Mondo Topless (1966) is said to be Russ Meyer's most busty discovery.

The Russ Meyer female physical archetype is fairly complex to decipher. Firstly, it's not to be confused with today's surgically enhanced Hollywood porn starlets or even slim, naturally endowed actresses. Russ Meyer was almost as much about a shapely 1950s hip-to-waist ratio or "wasp waist" as he was about very large breasts. The six-pack abdominal muscles and built-up squarish appearance of modern Hollywood figures do not mesh with his
pin-up aesthetic. Secondly, he required that even his most busty actresses looked good braless; "gravity-defying" and "cantilevered" became two of his favorite expressions.

In his films such as Vixen! (1968) and Cherry, Harry & Raquel! some of the actresses do not have large (by Russ Meyer standards) breasts yet their chests are always accentuated with very clever camera angles and well constructed bras. Reportedly, Gavin was cast as the lead in Vixen! because her "smaller" bust would make the character "
more relatable to women."

He went on record numerous times to say that
Anita Ekberg was the most beautiful woman he ever photographed and that her 39DD breasts were the biggest in A-list Hollywood history, dwarfing both Jayne Mansfield and Sabrina. Dolly Parton was the only modern Hollywood actress Meyer ever expressed interest in working with.

While he often referred to his actresses as "
Junoesque" and "Amazonian" this was probably more in their spirit than their actual physiques as Meyer rarely cast very tall or symmetrically built actresses with strong legs and large posteriors. So while the general public could easily perceive Jane Russell (?) or Sophia Loren (ws) as "Russ Meyer material", their balanced bodies did not mesh with Meyer's precise aesthetic preferences. And indeed Meyer said many times that it was Gina Lollobrigida's (ws) smaller breasted figure that he preferred visually over her larger breasted, taller and bigger hipped rival, Sophia Loren. Thus Meyer's oeuvre shows the viewer that while his actresses could easily be described as voluptuous, buxom and curvaceous, it's debatable to some if they were strapping, stately or even statuesque as Meyer readily proclaimed."

The tallest actress Meyer ever cast in a lead was the 1.75 m (5 ft 9 in), slim hipped, huge breasted
Lorna Maitland (working with whom he admitted he found intimidating). Nearly all the other women he featured were no taller than 1.71 m (5 ft 7 in). Tura Satana's performance as Varla in Faster, Pussycat! Kill! Kill! was Meyer's only true portrayal of the large, strong and aggressive Amazonian archetype in the classic visual sense.

Female empowerment

Film historian
Jimmy McDonough posits that Russ Meyer's usage of physically and sexually overwhelming female characters places him in his own separate genre. He argues that despite portraying women as sex objects, Meyer nonetheless depicts them as more powerful than men and is therefore an inadvertent feminist filmmaker.

In many of Meyer's films women eventually defeat men, winning sexual fulfillment as their reward, e.g., Super Vixen (Supervixens), Margo Winchester (Up!) and Lavonia Shed (Beneath the Valley of the Ultra-Vixens). And even in the 1950s and '60s his films were sometimes centered on
a woman's need and struggle for sexual satisfaction (Lorna, Good Morning and... Goodbye! and Beneath the Valley of the Ultra-Vixens). Additionally, Russ Meyer's female characters were often allowed to express anger and violence towards men (Faster, Pussycat! Kill! Kill! and Supervixens).

Yet in his research, McDonough also notes that Meyer's female characters were limited in how powerful they could appear; often the female lead is raped (Up! and Lorna) or brutally murdered (Beyond the Valley of the Dolls, Supervixens, Lorna and Blacksnake). While Russ Meyer may have championed powerful woman characters, he also forced them into violent and terrifying situations, making them prove their physical and mental strength against tremendous odds. He also ensured that women's breasts were at least semi-exposed during these ordeals for comic or erotic effect. Furthermore, according to frequent collaborator and longtime lover Kitten Natividad,
Meyer's love of dominant women extended to his personal life, and he was almost always in a tumultuous relationship

                                                                                                                                                                                                                                 
source: wikipedia
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